My newest piece, “Sanctum for 1985,” is making its debut at Redline Contemporary Art Center. The show, “Gravitropic,” is curated by Christina Linden. Please join us for the opening on Friday, January 27th at 6pm.
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My newest piece, “Sanctum for 1985,” is making its debut at Redline Contemporary Art Center. The show, “Gravitropic,” is curated by Christina Linden. Please join us for the opening on Friday, January 27th at 6pm.
>> Read more
Please join us for the closing reception of “Future Forging: Mythos of the Cybernaut” at Experience Gallery (fka Next Stage Gallery).
Saturday, November 5th, 6pm-9pm.
The gallery is located in the Denver Performing Arts Center near Buell Theater and Boettcher Hall.
There will be a projector on-site so artists, bring your video and animation pieces on a thumb drive and project your art!
I’m excited to show a piece in Future Forging: Mythos of the Cybernaut , a new media art exhibition curated by Sharifa Moore and Cherish Marquez taking place at the CU Denver Experience Gallery in the Arts Complex in Downtown Denver. Opens September 17th Noon - 7pm.
Across the span of the last two years, we’ve experienced a collective trauma that has infiltrated our consciousness. As we attempt to heal, we have hastened to a return of what was, with little opportunity to process how we’ve changed. A benefit of isolation came through the enhancement of our ability to communicate utilizing technology, furthering our transformation into a boundaryless space, forever changing our relationship with our bodies and our identities.
Future Forging: Mythos of the Cybernaut explores our connection with machines as an apparatus for communication, interaction, and as an extension of the body. Dependency does not connote technology addiction, but rather how machines assist us, how they allow collaboration across time and space, and how they serve as archives of our existence and experience. This exhibition explores themes of the posthuman body as one that rejects the binary, embraces glitch, connection, celebrates queerness, reimagines the disabled body as cyborg, and envisions new mythologies. Across a multitude of exquisite instabilities, of de-normativity, of becoming the hyperobject.
Cybernauts reject binaries within all spaces, both in reality and in the digital space. They traverse between mythologies, cyberspace, and multiple expressions of the self, abstracting the present and the ego. They are aligned through the rendering of pixels and the output of energy. Inserting themselves in the middle of ones and zeros; blurring the lines between the system, and themselves.
My studio at Redline Contemporary Art Center has been featured by Hyperallergic. I’m so glad I could make this love letter to my space and the residency public. If you’d like, you can read it here.
The BMoCA exhibit, “Grossly Affectionate,” has gotten some press! Check it out the full article in the Denver Post here.